Photography Daily

Learn more at www.ppsop.com . Please send your questions/feedbacks to bryanfpeterson3@mac.com

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For comments and questions visit prophotolife.com and search for video episode 18. A gallery of the still images from this video are available from the website.

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See and buy my Photos at: www.momentsofnaturephotography.com The first of a series of videos on landscape photography. This video is an overview on how to take pictures of landscapes. The video was filmed in the grand canyon. The camera I am using is a nikon d300

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Corporate photographer David Tejada photographs 9 executive head shots and environmental portraits

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overalll of the best photogrophys of the world in the last 100 years. there were more important and big photographers like richard avedon who didnt get in to this video… i might to a nother one.. the video ends with todays young artist who reflects the change of the art in photography from its early days till present.

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To watch more stories, Food News, or Cooking Fresh videos, visit: cookingupastory.com The pictures can be tantalizing. Some even cause us to stop and stare. Join us, for a behind the scenes look at a food photographer and his team as they create sumptuous images out of fresh ingredients that seem to jump off the page. Recipes from this episode Ed’s Tangy Eggless Caesar Salad; Canning Pears, raw pack; Pear Bread

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Edward Henry Weston was born in Highland Park, Illinois on March 24, 1886. In 1902, he received his first camera for his 16th birthday, a Kodak Bull’s-Eye #2, and began taking photographs in Chicago parks and at his aunt’s farm. Weston met with quick success and the Chicago Art Institute exhibited his photographs a year later, in 1903. He attended the Illinois College of Photography. In 1906, Weston moved to California, where he decided to stay and pursue a career in photography. He married Flora May Chandler in 1909, and together they had four sons: Edward Chandler (1910), Theodore Brett (1911), Laurence (1914) and Cole (1919). In 1910, Weston opened his first photographic studio in Tropico, California (now Glendale) and wrote articles about his unconventional methods of portraiture for several high-circulation magazines. 1922 marked a period of transition for Weston. Renouncing pictorialism in favor of straight photography, he would later become known as the “pioneer of precise and sharp presentation” with images of natural forms such as the human figure, seashells, plants, vegetables, and landscapes. He began regular visits to Mexico with his professional and romantic partner, Tina Modotti, whose relationship with Weston caused much gossip in the media. They were often accompanied by one of Weston’s sons, who received a sound instruction in photography. Brett and Cole later embarked on their own successful careers in this field; likewise his grandson Kim, and his great …

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Award winning photographer Chase Jarvis shows us the ins and outs of how he packs his photo gear for shoots on locations around the world, as well as just down the street. Whether you’re an established pro or and aspiring amateur, you’ll pick up some great tips from Chase, including what gear he travels with, what bags/packs he uses, and how he navigates the airlines and freight companies with his photo equipment in tow.

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Kristen Spencer from Kristen Spencer Photography gives you the top five tips to keep in mind when capturing your wedding day.

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The street is the photographer’s friend, but also his enemy. So are the street’s inhabitants with their varying lots and differing modes of life. They are unpredictable, random, and spontaneous. They are sensitive and surprising, decorous and dangerous. With all of them the photographer has to learn to communicate, to understand their language, and recognize their signals and hints. This is not slang; it is a secret sign- language, a set of codes for behavior in society, the society of the street. The language of the street consists of signs, symbols, geometrical shapes; its signs are written on notice- boards, on posters, you will find them on sidewalks, on bus stations, street poles, in the cloths people wear, on public waste -containers, on buses. The street speaks through people’s facial expressions, through their bodylanguage, in the expressions of their physical and mental states, through expressions of relations among people, and between them and others. You will find the ‘words’ of the street in shoes, in hair-styles, in cloths and in fashionevery single detail you notice may be significant, meaningful. Understanding the street’s language is not enough. The street-photographer’s main occupation is a constant, unceasing, and stubborn search for a connecting line between the various signs of the street, so as to be able to translate these signs, arrange them visually for those who will look at his pictures. It is this constant search that nourishes the never ceasing …

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